This Drifting Poo Was Way Too Meaningful! It's the Television Letdowns of the Year.
As we consider the television offerings of the past year, a handful of shows emerge not for their brilliance, but for their notable failures. From awkward spin-offs to bafflingly bad documentaries, here are the productions that left us scratching our heads or just reaching for the remote.
The 'Sex and the City' Sequel
Where to begin with this divisive spin-off? Plagued with dreadful writing, painful arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. For a moment, as the final series started, it seemed as if it had finally hit its stride. Then arrived an episode all about Seema’s natural deodorant. No wonder the creator announced this would be the last series. It concluded on a low point; the lingering shot of Miranda’s toilet full of poo was simply too on-the-nose. Yet, fans undeniably found joy picking apart every single “wtf?” episode. And as Carrie – once again single – danced around her palatial townhouse to Barry White, who couldn't release a small sob?
The Kim Kardashian Drama
‘Is Kim Kardashian an actress? Of course she can’t.’
But that was almost the least of this drama's issues. The recipient of a exceedingly uncommon zero star assessment, it was hard to know where to begin enumerating the flaws. The hilariously leaden writing? The tedious glorification of wealth and materialism? The almost deliberate procession of tropes? Acting so bad they felt borderline spiteful? Let’s just say “all of the above” and forget about this show again. Except, a new season has been commissioned, so we’re likely going to have to.
The Charlie Sheen Documentary
Considering the restraining orders, domestic violence allegations and fatherly failures, it’s reasonable to say Charlie Sheen has been a troubled figure. Not you’d truly have known it from this multi-part docuseries which smirked its way at Sheen’s various episodes of reckless hedonism while failing to tell us a single thing we weren't already aware of. Instead, it felt as if this volatile personality was being pandered to, so any pity this series might evoke should be reserved for the people who have had to suffer close contact with this charming but flippant egotist.
The Supercomputer Drama
Of course we understood it was preposterous from the get-go: a thriller about a supercomputer known as Charlie Big Potatoes that could either save the world – or annihilate all of humanity. We stuck with it out of pure love for its leads … but by the end, it felt like even they had given up trying. One barely cared when his character died, and the other ultimately slicing Charlie with an axe … in painfully slow-motion. Talk about admitting defeat.
MobLand
Dodgy characters meeting in empty boxing gyms? The Prodigy’s Firestarter jackhammering away in club scenes? The late 90s called and demands its gangland drama back.
Actually, that is unfair on the crime shows of the late 90s. Many seem a bit old-fashioned now, but at least they didn’t suffer the embarrassment of having to indulge unconvincing dialects. But there were plenty of other issues. Primarily that it was just really boring; a conflict over narcotics territory between various cockney picaresques which seemed a bit basic.
With Love, Meghan
Given the degree to which she provokes the ire of the nation’s ostentatiously enraged commentators, it’s almost tempting to admire the Duchess of Sussex’s various ventures into quaint homemaking as deliberate statements. But then you watch them and are forced to admit that in this case, they might have a point. It’s like watching a homeware magazine animated; a meme for evening drinks with ideas of grandeur; a parade of sleeping dogs, buzzing beehives, sentimental platitudes and pointless crafting “hacks” you’ll forget instantly. All supported by vast, mostly unearned wealth. Ugh.
The Beckham Documentary
There are obviously interesting things to be said about both Victoria Beckham and her journey with vocation, self-image, self-worth. But for some reason, this three-part series opted not to say them. Rather, the experience was like consuming a marketing brochure. She obviously has good reason to bridle at what she describes as her “stern” image. But sadly, she failed to do herself any favours with this cagey non-event of a series.
The Game Show
It should have been the next big hit – except even camper, with a famous star playing dead and a well-known personality overseeing her inheritance. What more could you ask for? As players competed, there was plenty of betrayal and arguing. But the rules quickly became bewildering: it’s even now too confusing to detail what precisely was happening. Even more regrettably, we only saw glimpses of the star via filmed videos. The show ended up reeking of a programme that was straining desperately to live up to something way beyond it.
Too Much
How does one follow a show that captured a generation? The expectation was immense for this starry romantic comedy about Jessica, a rosy-eyed New Yorker who lands in London with a broken heart. The star took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic notions. But it was all very slick and, paradoxically, was not enough. Plus, the sheer amount of famous friends involved felt icky.
The Sketch Show Return
Not good enough to be ‘patchy’.
Given the shrewd inclusion of talented emerging comics, expectations were high. But unhappily, most of it fell flat. A particular sketch was a single joke milked to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the thought that they should probably have remained in there a while longer.
The Knox Dramatisation
This dramatisation of the story of Amanda Knox was overseen by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there undoubtedly is an interesting drama to be made about the tragic 2007 murder, this isn’t it. The subject matter needed to be treated with care. Rather, the series laboured awkwardly to find the right tone, lurching from strangely jaunty, somewhat stylised farce to inevitably, real-life horror. Twisted? Perhaps. A total mess? Very much so.
Prime Target
We love the star … but did we believe him playing the greatest maths genius since, a man so smart he’s on the brink of a discovery that could ruin society? No! This globe-trotting thriller about government agencies targeting – and eliminating – intellectuals honestly got more farcical by the second. Silliness-by-numbers.
The Bonnie Blue Documentary
This uncritical portrait followed the online personality notorious for sexual escapades as she prepared for her biggest challenge yet. What on earth would motivate her? What we craved was far greater examination of her actual psyche, plus those of the men in the line. They could at least have interviewed the legendary mum who showed up to drag her son out of the queue. What we got was horrific imagery and absolutely no critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.